99%

《99%》 1. Style requirements: Fixed camera, minimal movement, slow cinematic pace, 65mm cinematic framing, medium-telephoto lenses (50-85mm), shallow but controlled depth. Environment: quiet indoor apartment, architectural frames, doorways and walls creating visual constraints. Lighting: soft diffused natural window light, low contrast, no harsh highlights, soft shadows, subtle gradient lighting. Color grading: desaturated palette, soft beige, light gray, washed green tones, low saturation, soft contrast, cinematic flat grade. Texture: matte surfaces, natural skin texture, subtle film texture, no gloss, no commercial polish. Composition: negative space, off-center subjects, symmetrical tension, frame-within-frame. Mood: calm psychological tension, emotional suppression, stillness, existential isolation. Composition: symmetrical or center-weighted framing, layered depth (foreground/midground/background), editorial fashion photography style. Mood: luxurious, sensual, surreal, slightly decadent. 2. Main characters: 1) Female lead 2) Male lead 3. Video requirements: 10 shots, 2 minutes, cinematic 16:9. 4. Scene requirements: Overall tone: Almodovar Core, colorful chic, vibrant minimalism, complementary palette, high saturation and high contrast, clean soft lighting, color blocking, symmetry and geometry, crisp digital clarity, still-life aesthetics, refined interior design, 8k resolution, shot on Sony VENICE 2, no film grain, no retro feel, no blur, no soft colors, no clutter, no cinematic fog, no low resolution. Exterior: Villa: realistic modern Bauhaus villa, large transparent curtain walls, minimalist geometric structure, clean neat lines, infinity mirror pool, clear water reflecting the architecture and sky, surrounded by lush green trees and natural vegetation, soft natural light and shadow, high-end luxury texture, quiet healing environment, minimalist and advanced, no extra decoration, 8K, architectural photography, understated luxury, perfect fusion of nature and architecture. Interior: Living room: luxury minimalist living room, Bauhaus design style, clean geometric lines, high-end color scheme, black, white, gray and low-saturation tones, spacious bright space, soft natural light, large blank areas, minimalist leather sofa, furniture with metal legs, marble coffee table, large abstract painting on the wall, refined textured soft furnishings, advertising interior style, understated luxury, clean and tidy, exquisite details, 8K realism, commercial photography, soft lighting, no clutter, minimalist. Bedroom: realistic luxury bedroom, refined minimalist interior design, a large slightly exposed bed, Bauhaus-designed furniture, clean geometric lines, high-end soft tones, elegant restrained atmosphere, exquisite minimalist vanity, large abstract painting on the wall, soft diffused lighting, refined material textures, clean tidy space, 8K ultra HD, commercial photography quality, understated luxury. Entrance: the living room entrance. Props: phone suitcase hair dryer 5. Storyboard content: Format: [shot size/camera movement] + [composition] + [main subject description] + [character action/expression] + [key subtitle/dialogue] Title: 《99%》 An empty shot: two people close-up leaning on the grass, smiling at each other Scene 1: Space (00:00-00:05) title appears Scene description: cinematic narrative feel; this is a stylish art short film blending psychological drama and conceptual sci-fi. Long shot of a minimalist modern residence, pool reflections, quiet woods around. A fixed shot: a modern residence, water ripples in the pool, trees and grass gently swaying in the breeze. Push-in: the camera slowly pushes from the pool toward the house. Sound: natural ambient sounds + birdsong + wind + environmental low frequencies + slight water sounds. Scene 2: Approach (00:05-00:20) Scene description: in the living room, the male and female leads sit side by side on the sofa, leaning together. 2 shots total. Shot 1 (5S): full shot, low angle, in the living room, camera facing the male lead sitting on the sofa; the female lead lies on the sofa with her head on his knee. Continuing from the previous shot, close shot, top-down: the female lead goes from lying to sitting up, leaning toward the male lead's shoulder, distance closing by 1-2 cm. Shot 2 (10S): cut to close-up, tilted composition: the male lead's gaze is focused and affectionate, locked on the female lead, with a hint of doting and possessiveness; eyebrows and eyes soft, brow relaxed, not fierce, but with a gentle smile; lips slightly upturned, subtle but visibly happy, restrained smile; jawline relaxed, gaze shifting down to her eyes then her lips, with a touch of heart-struck daze. Cut to extreme close-up: the tips of their noses close, breaths slightly interweaving. Cut to medium shot: the two look at each other, faint smiles rising simultaneously, gazing softly, eye corners slightly curved, occasionally flicking away then back; bodies relaxed, remaining slightly close. Frame freezes for 1S. Scene 3: Touch (00:20-00:32) Scene description: in the bedroom, the male lead uses a hair dryer to dry the female lead's hair. 2 shots total. Shot 1 (5S): full shot, in the bedroom, the male lead dries the female lead's hair, relaxed atmosphere. Cut to close-up, low angle, over-the-shoulder: foreground is the female lead's blurred hair, background is the male lead's clear face; the camera slowly pushes in; the male lead lowers his head, focused on the hair, afraid of scalding her, very serious, occasionally glancing up to steal a look at her; eyes soft, brows relaxed, eye corners slightly smiling, very gentle; lips lightly pressed or slightly upturned, doting yet a little shy; expression patient, movements light. Cut to medium shot: the two look at each other. Shot 2 (7S): close-up, tilted shot, push-in: the female lead's eyes shift slightly, pupils contract a little, gaze unconsciously sweeping to the top of the male lead's head, softly murmuring (puzzled tone): "Why did it stop?" Cut to medium shot, pan: moves to the male lead's brow slightly furrowing (very faint), a flash of confusion in his eyes, briefly looking at the female lead too, replying lowly (flat, hesitant tone): "Huh? It stopped." Cut to full shot: their eyes meet again, both carrying a barely perceptible hesitation; both briefly look at the top of each other's head, then back at each other; no one speaks again. Scene 4: Leaving (00:32-00:40) Scene description: at the living room entrance, the male lead sees the female lead off as she leaves with a suitcase. Medium shot, at the living room entrance: the female lead holds her luggage, ready to leave. Cut to close-up: the male lead's eyes tighten, brow slightly furrowed. Cut to full shot, pull-back: the female lead's back pushes the luggage away into the distance; the male lead stands at the door, his gaze always on her, expression complex; he looks at her once, then at the top of her head. Scene 5: Waiting (00:40-00:55) Scene description: in the living room, the male lead stands before the sofa, picking up his phone then putting it down. 2 shots total. Shot 1 (10S): full shot, the male lead stands alone before the sofa. Cut to close-up, Dutch angle: his hand takes the phone from the table. Cut to medium shot, top-down: he puts the phone down. Cut to close-up, top-down: he picks up the phone again, without dialing. Shot 2 (5S): full shot, the male lead slowly looks up. Pan; close-up: the camera is at the top of the male lead's head, leaving 1/3 empty space in the upper part of the frame. Scene 6: Return (00:55-01:10) Scene description: in the living room, the female lead returns home dragging her suitcase; the male lead approaches. 2 shots total. Shot 1 (5S): full shot, the door opens; the female lead drags her suitcase back into the living room. As she enters, the male lead steps closer (pause); the female lead stops but does not actively approach. Shot 2 (10S): medium shot, over-the-shoulder: foreground is the female lead's blurred shoulder, midground is the male lead's face. Male lead (low voice): "Yesterday... you didn't reply." (Pause) Cut to close shot, over-the-shoulder: foreground is the male lead's blurred shoulder; the female lead looks exhausted, frowning in reply (helpless tone): "Mm, I was busy." Close-up, handheld, camera on the male lead: he looks at the female lead as if about to speak but stops. Scene 7: Breaking point (01:10-01:20) Scene description: the male and female leads stand in the living room. Medium shot: the male lead instinctively wants to hug the female lead; his hand is raised, then stops. Cut to close-up: the male lead first shows a stiff smile, body slowly approaching, POV perspective, looking at the female lead's face, then at her head. The male lead's arms open wide, posture humble; the female lead's eyes are hollow, forced to slightly upturn the corners of her mouth. He realizes the "offense" of this gesture, then lightly pats her shoulder, and walks past her with a smile. Scene 8: Calculating the relationship (01:20-01:35) Scene description: the male and female leads stand in the living room. 6 shots total. Quick cuts (5 shots): Shot 1 (1S): close-up, top-down: two dinner plates on the table, the male lead's hands on the left side of the table, the female lead's hands on the right. Shot 2 (1S): medium shot, camera facing the couple: the male lead's face on the left of the frame, the female lead's face on the right. Shot 3 (1S): close-up: the male lead's eyes look left. Shot 4 (1S): close-up: the female lead's eyes look right. Shot 5 (1S): full shot: in the living room, the male and female leads sit at the two ends of the sofa. Shot 6 (10S): medium shot, pull-back: in the living room, the female lead approaches the male lead; he walks away. Cut to close shot, pull-back: in the living room, the male lead wants to hug the female lead; she dodges. Scene 9: False perfection (01:35-01:50) Scene description: in the living room, the male and female leads are embracing. Pull-back, from close shot to full shot, perfectly symmetrical composition: the two simultaneously complete smiling, approaching, and embracing; shoulders touching, bodies stiff, eyes hollow, no intimacy whatsoever. Cut to close-up: the female lead's fake smile. Cut to close-up: the male lead's fake smile. Medium shot, Dutch angle: they maintain the embrace; the frame freezes for 2 seconds; the space is silent. Scene 10: Disappearance (01:50-02:00) Scene description: in the living room, the male and female leads embrace then separate. Shot 1 (5S): medium shot, in the living room: the two keep embracing while stealing glances at the top of each other's head. Cut to full shot, symmetrical composition: the two maintain the embrace, bodies stiffen slightly, a flash of panic in their eyes; both instinctively look at the top of the other's head. Shot 2 (5S): cut to medium shot, pull-back: from the two slowly loosening the embrace to the whole living room; bodies step back, distance wider; the female lead turns to face the wall; the male lead stands still, eyes desperate. Cut to close-up: their eyes meet; the woman's eyes are cold, the man's eyes humble and bewildered; Cut to full shot: the two almost simultaneously slowly move toward each other, then stop, and walk away back to back.